camper joe
Cherished Member
- Joined
- Jun 2, 2006
- Posts
- 2,744
- Media
- 0
- Likes
- 459
- Points
- 193
- Location
- North Carolina
- Sexuality
- No Response
- Gender
- Male
I'm a little embarassed to admit I knew him when he recorded that. No, he's not any more interesting in real life.As long as you don't mention "Disco Duck" by Rick Dees you should be fine.
Everyone can engage in a collective and well deserved moan right now. :biggrin1:
LMAO - but You're not a true dancin' fool unless You own The Ethel Merman Disco Album!
allmusic ((( The Ethel Merman Disco Album > Overview )))
LMAO - but You're not a true dancin' fool unless You own The Ethel Merman Disco Album!
allmusic ((( The Ethel Merman Disco Album > Overview )))
LMAO - Totally forgot about that! I never owned that one (but I do own "Grover Sings The Blues")And of course..."Sesame Street Fever" :biggrin1:
I'm jealous, but do you own "God Bless Tiny Tim"?I actually own that Way Out West album!
:tongue:
LOL - no. Isn't that the album where he duets with himself on "I Got You Babe"?I'm jealous, but do you own "God Bless Tiny Tim"?
Disco never really died. If anything, it went back to the gay and ethnic scenes where it emerged and eventually became what we call House music & Garage today. A lot of the good 80s dance tracks were rebranded as R&B or Funk due to the mainstream Disco backlash, but the influences were definitely apparent. I already listed "Call Me" by Skyy as one example. Here are a few others that I loved growing up.
Howard Johnson's "So Fine" (1982) - http://www.youtube.com/watch?v=wo28MJIVt98
One Way's "Cutie Pie" (1982) - http://www.youtube.com/watch?v=ohn5j1tPAtc
Junior's "Mama Used To Say" (1982) - http://www.youtube.com/watch?v=rwTTGnDcwoA
Evelyn Champagne King's "Love Come Down" (1982) - http://www.youtube.com/watch?v=Dnh7YmXSviY
Tom Browne's "Funkin' For Jamaica" (1980) - http://www.youtube.com/watch?v=uuUy2ShGLyo
Ironically, this is around the same time that Hip-Hop started to spread its influence in the same cities that were responsible for the first wave of Disco back in the early 70s. Even though the first commercially successful Hip-Hop record was based off a Disco tune, the backlash prompted early pioneers to venture more towards R&B/Funk. In some ways, that is also reflected in the tracks listed above which blurred the lines between all of these genres even more.
Disco never really died. If anything, it went back to the gay and ethnic scenes where it emerged and eventually became what we call House music & Garage today. A lot of the good 80s dance tracks were rebranded as R&B or Funk due to the mainstream Disco backlash, but the influences were definitely apparent. . . .
Ironically, this is around the same time that Hip-Hop started to spread its influence in the same cities that were responsible for the first wave of Disco back in the early 70s. Even though the first commercially successful Hip-Hop record was based off a Disco tune, the backlash prompted early pioneers to venture more towards R&B/Funk. In some ways, that is also reflected in the tracks listed above which blurred the lines between all of these genres even more.
Loved your analyses of the evolution of dance music, guys. From my vantage point, 'disco' was ruined when it became too mainstream and homogenized, and I started seeing frat boys, sorority girls and other waspy country club types doing the hustle and performing that stupid YMCA arm dance at wedding receptions. Disco lost its "soul", and it was a good thing it died at that point. Gimme some good old R&B, funk and soul influence. That'll get me up dancing for sure. I wonder what you think of the influence of 'world music', even 'new age' genres on today's trance/dance music?Yes, Rodgers and Edwards imo were a prominent force in disco music, writing in their inimitable style for Simon, Chic, Sister Sledge ("We Are Family"), Debbie Harry, and Diana Ross, among others.
Yes. Actually the funk form of disco co-existed with the standard 4/4 beat (120 something and higher beats per minute) disco music.
Parliament/Funkadelics et al (I mentioned them in an above post) had many early disco hits, though music defined as funk (or what they called p-funk) plays on different musical elements and rhythms (e.g. "get up for the down stroke").
The major difference between dance/house music and music traditionally defined as 70's disco is that the latter usually relied heavily on orchestra backing (strings) while today's version is heavily "electronic" (hence, electronica-duh). . . .
Yes, Rodgers and Edwards imo were a prominent force in disco music, writing in their inimitable style for Simon, Chic, Sister Sledge ("We Are Family"), Debbie Harry, and Diana Ross, among others
True. Though I've always viewed "Diana" as a Nile Rodgers album on which he used Diana as the vocalist. The whole album has a very Chic feel to it (and that's a good thing).Diana Ross's album 'Diana' is one of her best efforts ever alongside her 'The Boss' album. Two definitive works from that era.
Loved your analyses of the evolution of dance music, guys. From my vantage point, 'disco' was ruined when it became too mainstream and homogenized, and I started seeing frat boys, sorority girls and other waspy country club types doing the hustle and performing that stupid YMCA arm dance at wedding receptions. Disco lost its "soul", and it was a good thing it died at that point. Gimme some good old R&B, funk and soul influence. That'll get me up dancing for sure. I wonder what you think of the influence of 'world music', even 'new age' genres on today's trance/dance music?
BTW, George Clinton and P-funk rule! George Clinton & Parliament Funkadelic