Ravel's Bolero does it for me.
The most erotically charged live concert I have attended had Ravel's Bolero as the last item. The Sydney Symphony Orchestra had appointed a new Chief Conductor: Gian Luigi Gelmetti, and this was one of his first concerts afetr his appointment.
After interval, there was no break between another Ravel piece and the Bolero: there was just a smooth transition to the Bolero, with quite a dramatic change of mood..
Now just imagine the scene: Sydney Opera House ( there had been a full moon over the Harbour at interval), this most sensuous music. My companion is a female friend of long standing ( I am gay; there is no sexual element to our friendship) .
From the way the audience reacted at the conclusion, I think it had been quite an erotic experience for many that night. My friend was on her feet,: there was a standing ovation from many in the audience. Afterwards, my friend could not stop exclaiming about the sensual/erotic charge she had had from the music.
Now the interesting aspect to this concert, is that this particular performance series is directed to young people ( cheap tickets; early starting time; some of the pieces are those prescribed in the Music syllabi)). My A Reserve seats look directly across at the D reserve behind the orchestra: here were young peple who had never seen the movie which featured Bolero, possiblyy never heard the piece before; probably only attended a few Symphony concerts before; and here they were swaying away in rhythm with the orchestra.
So I think DMW is not alone in his appreciation of Ravel!
The particular reason I post this now is that today there was a broadcast on my local radio which featured musicians talking about performing the Bolero. A very brief summary is that while in some respects it is simple, it is very difficult to actually play properly.
I've heard the programme before, say 2 years ago, so just in case you get a chance to hear it, here are the details from the FM guide:
Ravel Boléro - André Maranne, reader; Soloists; Montreal Sym Orch/Charles Dutoit
BBC Radio International 28'
zzorus