Hmmm.....
I enjoy Mozart, Bach, Beethoven, and really like Debussy and Ravel. Grieg and Sibelius are high on my list as well. Copeland is my favorite American composer for that sort of thing, though I also like the avant garde.
Of them all though, I have a soft spot for Richard Strauss, believing that, "
Und die Seele unbewacht," (at 2:33) is the single most lovely phrase in all of music. At the end of all things, aliens should hear that to know humans were not incapable of touching the face of God.
While not strictly classical, I am a fan of opera, particularly Italian.
What I'm REALLY enjoying these days are orchestral pieces produced for film. I think film scoring these days is unusually good and there are zillions of film scores I truly love. I'm in absolute awe of Howard Shore's pieces for
Lord of the Rings.
From one of my favorite scenes. I have two other favorite passages of music. The
Illumination of the Dwarrowdelf fits so completely not only the image, but the history of the place, that I get all teary-eyed every time I hear it. The other piece I love for its total subtlety, great beauty, wistful air of sadness, and exceptional building of tension is the extended version of the Fellowship's audience with Galadriel and Celeborn. Listen carefully because it's just stunning. Shore's not always about the details but he surely is here.
I have a lot of favorite film scores besides this. There's
Edward Scissorhands, The Day the Earth Stood Still, Peggy Sue Got Married, How the West Was Won, Lawrence of Arabia, A Beautiful Mind, Apollo 13, The Third Man, Gone With the Wind, Laura, The Omen, Requiem For A Dream, Star Wars, Jurassic Park, and many, many, others. If I had to name a favorite it would be, and sorry for repeating it,
The Ghost and Mrs. Muir. It's the loveliest film theme yet written and yes I just completely lose it when I listen to it. It seems, sadly, I'm verly susceptible to beautiful haunting melodies.