Not the BEST, but my favorite is Martin Lopez, formerly of Opeth. Metal drummer, but with a latin feel. Groovy as hell, creative fills and awesome rudiments. Very unique drummer for a rather unique band.
A short video of drums only (nearly)
YouTube - Martin Lopez - Ghost of Perdition
Coincedentally, this is arguably his best (NOT flashiest) performance and arguably their best song...note how groovy and flexible he is, not your standard static metal drummer or beat pushing thrash/punk pounder at all
YouTube - Opeth - The Drapery Falls
BTW, not the biggest Neil Peart fan... as he is a 52-piece set into xylophone... I think Rush purists would love to see him (and challenge him) to a very small set and re-transpose songs accordingly.. it's getting a bit ridiculous IMHO.
but he proves his worth on a simple kit at the Buddy Rich tribute...what he does circa 1 -2 minutes is classic Rich... so give him props on the emulation... then he segues into some simple but epic Peart circa 2:10-2:30, and then goes right back into seminal Buddy Rich.
Props there.
Haha, well he's Uruguayan, so it's not that hard to see the influence (I just cheated). As far as pretentious prog metal goes they're surprisingly genuine sounding, and can lighten up well...unlike most metal bands.
They did one album completely devoid of the death growls, double bass drum and distorted guitars. The result is a very moody 70s prog rocky sounding thing. And the video of two songs from it is baited with pictures of Yamila Diaz, so how can one complain? YouTube - Opeth - In My Time Of Need [Yamila Diaz-Rahi]
Passe across all genres perhaps, but in the progressive metal world Opeth is one of the few bands to genuinely and relatively seamlessly combine death metal and quality (non-corny or epic) melodic work while using dissonance to good effect.
I'm quite a metalhead, but also a guitar fanatic across the spectrum and not a metal player exactly, thus my love for Holdsworth, Guthrie Govan, and other assorted fusion/real jazz players. And yeah...you're one of only two people to recognize it. The other (morsecode I believe) has Guthrie's album cover as his avatar, so I wasn't surprised there.
Holdsworth is easily the best improvisational guitarist I've ever heard (on the level of the great jazz saxophonists, if I daresay) and a complete innovator in his use of effects and techniques. Totally unsung to the point that most guitarists don't even realize the scope of his influence. Everything from fast legato lines to the ubiquitouos fluid distortion tone is in a large part his doing. There would have been no Eddie Van Halen without Holdsworth, if that puts it in perspective for people unfamiliar with him.
Haha, well he's Uruguayan, so it's not that hard to see the influence (I just cheated). As far as pretentious prog metal goes they're surprisingly genuine sounding, and can lighten up well...unlike most metal bands.
They did one album completely devoid of the death growls, double bass drum and distorted guitars. The result is a very moody 70s prog rocky sounding thing. And the video of two songs from it is baited with pictures of Yamila Diaz, so how can one complain? YouTube - Opeth - In My Time Of Need [Yamila Diaz-Rahi]
Passe across all genres perhaps, but in the progressive metal world Opeth is one of the few bands to genuinely and relatively seamlessly combine death metal and quality (non-corny or epic) melodic work while using dissonance to good effect.
I'm quite a metalhead, but also a guitar fanatic across the spectrum and not a metal player exactly, thus my love for Holdsworth, Guthrie Govan, and other assorted fusion/real jazz players. And yeah...you're one of only two people to recognize it. The other (morsecode I believe) has Guthrie's album cover as his avatar, so I wasn't surprised there.
Holdsworth is easily the best improvisational guitarist I've ever heard (on the level of the great jazz saxophonists, if I daresay) and a complete innovator in his use of effects and techniques. Totally unsung to the point that most guitarists don't even realize the scope of his influence. Everything from fast legato lines to the ubiquitouos fluid distortion tone is in a large part his doing. There would have been no Eddie Van Halen without Holdsworth, if that puts it in perspective for people unfamiliar with him.
Also...anyone ever heard of Morgen Agren? He was one of Zappa's proteges along with Terry Bozzio and Vinnny Colaiuta (who are also both incredible)
Definitely a "too many notes" drummer, but my god...his touch, precision, chops and rhythmic creativity are mind boggling. He did a solo project with Meshuggah's lead guitarist (the metal realm's masters of polyrhythm), of which this is a medly...christ almighty the man's inhuman.
YouTube - Meshuggah (Fredrik) + Morgan Incredible Medley
He's not anywhere near the greatest, but Danny Carey of Tool is amazingly tasteful for such an unconventional rock drummer. And his timing is something to be desired. Precise yet not mechanical.
Moonie was technically not a very good drummer. Much less Jimmy Page was a bit sloppy as well. But that's not what counts. I love Moonies drumming, but I've played with enough drummers that have the expertise and told me so.
ROCK:
Stewart Copeland
Moonie
Bonzo
Neil Peart (i'm shocked there are already over a dozen posts on this, and no Neil)- can
Steve Gorman
Richard Starkey
Jeff Porcaro
Bill Bruford
Phil Selway
Steve Smith
Zac Starkey - i've seen him 3 times now, and am always impressed
Chad Wackerman - great name for a drummer, btw
JAZZ:
Krupa
Rich
Dave Weckl
Billy Cobham
Jack DeJohnette
Steve Gadd - could toss him in rock, too
Roy Haynes
Big Sid Catlett
Art Blakely