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Guest
Brokeback Mountain was a trite story. Two lovers discover each other, are kept apart because of social repression, they meet clandestinely once a year, and one dies in the end. This has been done before in various ways by Same Time Next Year, An Affair to Remember, Wuthering Heights, Camille, Latter Days (a gay film), and even Romeo and Juliet. It's entirely predictable -- well acted, directed, and photographed, but predictable nonetheless.
I understand how important Brokeback Mountain is for its social significance. I'm glad it was made, made well, and acclaimed for its good points. I do not think it deserved the Best Picture Oscar though I certainly don't think the preachy and obnoxious Crash did either.
Boogie Nights is a wonderful film blessed with a brilliant ensemble cast. I think it possesses irony, catharsis, believable character development, and I really like the diffident ending. One of the great musical cues in filmdom occurs when Colonel James' bosses enter Jack's living room to the tune of Driver's Seat. It's a perfect music cue because not only does the music fit the change of mood perfectly but it does so within context of the plot while staying true to the era. You see these guys and you just know they're mafia, not to be disrespected, and they're just slightly sinister all because of that music cue.
I know Boogie Nights has a lot of violence, sex, and drug use. I don't think it's presented gratuitously nor do I think it's out of place considering the subject of the film. Working sex and drugs into a film isn't nearly as difficult as violence. When violence is used, it's important to make it subsidiary to the plot. If it doesn't serve the overall plot then the film will fail. Some films, like Terminator, Terminator II, and RoboCop are jammed with violence yet remain visionary because violence was handled well and I think Boogie Nights succeeds given the comparative use of violence to contrast the apparent idyll of the lifestyle the main characters live.
I understand how important Brokeback Mountain is for its social significance. I'm glad it was made, made well, and acclaimed for its good points. I do not think it deserved the Best Picture Oscar though I certainly don't think the preachy and obnoxious Crash did either.
Boogie Nights is a wonderful film blessed with a brilliant ensemble cast. I think it possesses irony, catharsis, believable character development, and I really like the diffident ending. One of the great musical cues in filmdom occurs when Colonel James' bosses enter Jack's living room to the tune of Driver's Seat. It's a perfect music cue because not only does the music fit the change of mood perfectly but it does so within context of the plot while staying true to the era. You see these guys and you just know they're mafia, not to be disrespected, and they're just slightly sinister all because of that music cue.
I know Boogie Nights has a lot of violence, sex, and drug use. I don't think it's presented gratuitously nor do I think it's out of place considering the subject of the film. Working sex and drugs into a film isn't nearly as difficult as violence. When violence is used, it's important to make it subsidiary to the plot. If it doesn't serve the overall plot then the film will fail. Some films, like Terminator, Terminator II, and RoboCop are jammed with violence yet remain visionary because violence was handled well and I think Boogie Nights succeeds given the comparative use of violence to contrast the apparent idyll of the lifestyle the main characters live.